Emblem on the Oak Doors into the Court Chamber
The
doors of
the Supreme Court chamber don't literally have "the Ten
Commandments engraved on each lower portion." The
depictions are two engraved tablets bearing the Roman numerals I
through V and VI through X. These
symbols can represent something other than the Ten Commandments
(such as the ten Bill of Rights).
Some critics contend that anything
that is tablet-shaped cannot possibly be
interpreted as representing part of the U.S.
Constitution, because that document was not written on
tablets. One could use that same argument to contend that
anything bearing the common version of Roman numerals cannot
possibly represent the Ten Commandments, because that numbering
system was not yet in use at the time of the events described in
Exodus (snopes.com).
Besides this, Hebrew reads right-to-left.
The first five commands appear on the right-hand
tablet; the second five commands appear on the left-hand
tablet. This is a weak argument, though, considering
artistic license. The issue of Roman numerals can also be
a case of artistic license.
Wall Friezes inside the Courtroom —
The East Wall Frieze above the Supreme Court Bench
The architect of the Supreme Court Building, Cass
Gilbert (1867–1934), selected Adolph A. Weinman (1870–1952),
a noted sculptor, to design the marble friezes for the upper
walls of the Courtroom. Architect Cass Gilbert is best
known as the architect for the Woolworth Building in New York
City.
According to the Gilbert’s vision of the
building, he relied on Weinman to choose the subjects and
figures that best reflected the function of the Supreme Court
Building. In this case, Weinman designed friezes
portraying both allegorical representations of law, on the east
and west walls, and historical lawgivers, on the north and south
walls. Thus, Weinman’s choice of symbols and figures were
his own and reflected his training in the neoclassical and Beaux
Arts traditions. Weinman drew from many civilizations and
was faithful to classical sources.
Office of the Curator • Supreme
Court of the United States
The Courtroom showing the location
of the East Wall Frieze above the Bench (c. 1998)
The East Wall Frieze - enlarged
Office of the Curator • Supreme
Court of the United States
Sculptor Weinman designed
these friezes to portray allegorical representations of law for
the east and west walls.
The East Wall Frieze (above) is located directly
above the Bench. At the center are two male figures: on
the left is the Majesty of
Law with a book of law at his side; to the right
is the Power of Government
who holds the fasces,
an ancient Roman symbol of authority. According to a
letter from Weinman to Gilbert describing the design for this
frieze, the pylon carved with the Roman numerals I to X between
the two central figures symbolizes the first ten amendments to
the Constitution, also known as the Bill of Rights. Behind
the central group, an American eagle spreads its wings.
Immediately to either side of the central figures
are Wisdom, on the
left, mostly nude and holding a lantern, and Statecraft, on the right,
whose shield is emblazoned with the Scales of Justice.
Weinman described the figural group to the
left, led by a judge holding a book of law, as the “The Defense of Human Rights and
Protection of Innocence.” He called the group to
right the “Safeguard of the
Liberties and Rights of the People in Their Pursuit of
Happiness.”
The South Wall Frieze
Moving from left to right . . .
>>
Office of the Curator • Supreme
Court of the United States
Adolph A. Weinman’s
sculptures for the south and north walls depict great lawgivers.
The facing friezes begin on the South Wall, to the right of
visitors, with an allegorical figure for Fame. This procession
of historical lawgivers of the pre-Christian era
moves from left to right. The writing on the visible
tablet carried by Moses in this frieze includes portions of
commandments 6 through 10 (in Hebrew),
specifically chosen because they are not inherently
religious. Commandments 6 through 10
proscribe murder, adultery, theft, perjury, and covetousness (snopes.com).
Included among the great lawgivers are additional allegorical
figures.
- Fame
- Menes (c.
3200 bce)
First King of the first dynasty of ancient Egypt. He
unified Upper and Lower Egypt under his rule and is one of the
earliest recorded lawgivers.
- Hammurabi (c.
1700s bce)
King of Babylon, credited with founding the Babylonian
Empire. He is known for the Code of Hammurabi, one of
the earliest known legal codes.
- Moses (c.
1300s bce)
Prophet, lawgiver, and judge of the Israelites. Mosaic
Law is based on the Torah, the first five books of the Old
Testament. Moses is depicted in the frieze holding two
overlapping tablets, written in Hebrew, representing the Ten
Commandments. Only Commandments six through ten are
partially visible from along Moses’ beard. The first
five Commandments are hidden behind his beard and robe to the
right. Hebrew is written from right to left.
- Authority
- Solomon (c.
900s bce)
King of Israel and renowned judge and wise man.
- Lycurgus (c.
800 bce)
Legislator of Sparta. Lycurgus is credited with being
one of the reformers of Sparta’s constitution.
- Solon (c.
638 - 558 bce) Athenian lawgiver. He
was appointed archon, an officer of state, and was charged
with remodeling the Athenian constitution in 594 bce. He was
instrumental in codifying and reforming Athenian law.
- Light of
Wisdom
- Draco (c.
600s bce)
One of Solon’s legal predecessors in Athens. Around
620 bce,
he committed an Athenian code of laws to paper for the first
time.
- Confucius
(551 - 478 bce)
Chinese philosopher whose teachings stressed harmony,
learning, and virtue. Within 300 years of his death, the
Chinese State adopted his teachings as the basis for
government.
- Octavian (63 bce -14 ce) or
Augustus. First Emperor of the Roman Empire. He
brought widespread reforms to many facets of Roman life and
law.
- History
The West Wall Frieze
Office of the Curator • Supreme
Court of the United States
According to Weinman, the
West Wall Frieze is an allegorical representation of “Good
Versus Evil.”
In this sculpture, the central female figures are
Justice and Divine Inspiration.
Leaning on a sheathed sword representing her might, Justice faces to the
viewer’s right, staring down the forces of Evil. The
winged figure of Divine
Inspiration holds out the Scales of Justice.
Flanking these two figures are representations of
Wisdom, to the left,
with an owl perched on his shoulder, and Truth, to the right,
holding a mirror and a rose.
Moving to the left from the central figures are
the “Powers of Good”: Defense
of Virtue, Charity,
Peace, Harmony, and Security.
The “Powers of Evil,” moving to the right
from the central group, are: Vice
and Crime, Corruption,
Slander, Deception, and Despotic Power.
The North Wall Frieze
<< . . . moving from right
to left
Office of the Curator • Supreme
Court of the United States
The frieze on the North Wall,
to the left of visitors, is a procession of historical lawyers
of the Christian era. This procession moves from right to
left with allegorical figures interspersed.
- Philosophy
- Justinian (c.
483 - 565) Byzantine Emperor from 527 until
his death. He ordered the codification of Roman Law and
published Corpus Juris Civilis. This work was
instrumental in preserving Roman law and encompassed what has
become known as the Justinian Code.
- Muhammad (c.
570 - 632) The Prophet of Islam. He is
depicted holding the Qur’an. The Qur’an provides the
primary source of Islamic Law. Prophet Muhammad’s
teachings also explain and implement Qur’anic principles.
- Charlemagne (c.
742 - 814) or Charles I (the Great). King of
the Franks and Roman Emperor. He was a reformer of
legal, judicial, and military systems. Under his
leadership, most of Western Europe was united by 804 becoming
the foundation for the Holy Roman Empire.
- Equity
- King John
(1166 - 1216) born John Lackland. King of
England from 1199 until his death. His barons forced him
to have his seal affixed to the Magna Carta. This
document, depicted in the frieze as a scrolled document in his
hand, is regarded as the foundation of constitutional liberty
in England.
- Louis IX (c.
1214 - 1270) King of France. He created the
first court of appeals known as the “Curia Regis” or “King’s
Court.”
- Hugo Grotius
(1583 - 1645) or Huig de Groot. Dutch scholar,
lawyer, and statesman. He is depicted holding De
jure belli ac pacis (Concerning the Law of War and Peace),
one of the first books on international law, which he wrote in
1625.
- Right of
Man
- Sir William Blackstone
(1723 - 1780) English law professor and jurist. He
wrote Commentaries on the Law of England (1765
1769), which has had a major influence on English and American
Law.
- John Marshall
(1755 - 1835) Fourth Chief Justice of the
United States, from 1801 to 1835. His 1803 opinion in Marbury
v. Madison stated that the Supreme Court of the United
States had the authority to determine the constitutionality of
a law, establishing the power of judicial review for the
Court.
- Napoleon
(1769 - 1821) Emperor of France from 1804 to
1815. He ordered and directed the recodification of
French Law into what became known as the Code Napoleon or
Civil Code. Published in 1804, this code forms the basis for
modern civil law.
- Liberty and
Peace
Sources:
retrieved from www.supremecourt.gov/about/east&westwalls.pdf
June 23, 2013,
and retrieved from www.supremecourt.gov/about/north&southwalls.pdf
June 23, 2013.
All these photographs are from the Collection of the Supreme
Court of the United States unless otherwise noted.
My descriptions are based on texts from the Office of the
Curator • Supreme Court of the United States - updated:
10/1/2010 (East & West Walls) and 5/8/2003 (North &
South Walls).
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- Viewing the Outside of the Supreme Court Building -
Office
of the Curator • Supreme Court of the United States
Views
of the building's main entrance on the west side, facing the
United States Capitol. "Equal Justice Under Law" is incised on
the architrave above the sixteen marble columns. Above this is
the pediment, filled with a sculpture group by Robert
Ingersoll Aitken (1878-1949). Figures (not
visible) represent "Liberty Enthroned" guarded by "Order and
Authority," and on either side are groups of three figures
depicting "Council and Research."
The Supreme Court
Building from the East
Office of the Curator •
Supreme Court of the United States
The U.S. Supreme Court Building
from the east: "Justice - The Guardian of Liberty"
The building's eastern pediment by Hermon A. MacNeil
This view of the building's eastern pediment shows
a sculpture group by Hermon A. MacNeil (1866-1947)
which represents functions of the Supreme Court. The
pediment is the wide, low-pitched gable
surmounting the facade of the building (in the Grecian
style). The eastern pediment is on the rear wall of the
U.S. Supreme Court Building. Visitors usually walk up the
front steps on the western side, under Robert Aitken's sculpture
group, to enter the building. Unless they walk around the
building, they miss MacNeil's sculpture.
Cass Gilbert, the building’s architect, worked
closely with MacNeil from 1932 to 1934 to create the thirteen
symmetrically balanced figures above the Corinthian
portico. The central marble figures on this rarely noticed
eastern pediment depict the theme "Justice - The
Guardian of Liberty." Sculptor MacNeil's central figures
represent three great Eastern civilizations from which our laws
are derived. These figures portray lawgivers: Moses
(receiver of Hebrew Ten Commandments) flanked by Confucius
(Chinese philosopher and teacher) and Solon (Athenian lawmaker,
statesman, and poet). Confucius is on the viewers' left,
Solon to the right, both flanking Moses with his hands on two
separate tablets.
The two tablets that Moses holds in his arms are
blank, without inscription.
Allegorical figures on each side of the lawgivers
represent functions of the Supreme Court. Sculptor MacNeil
submitted the following description of his work to the Supreme
Court Building Commission:
Law as an element of civilization was normally and
naturally derived or inherited in this country from former
civilizations. The "Eastern Pediment" of the Supreme
Court Building suggests therefore the treatment of such
fundamental laws and precepts as are derived from the East.
- Moses, Confucius and Solon are chosen as
representing three great civilizations and form the central
group of this Pediment.
- Flanking this central group -- on the
left -- is the symbolical figure bearing the means of
enforcing the law; on the right, a group tempering justice
with mercy, allegorically treated. The “Youth” is
brought into both these groups to suggest the “Carrying On”
of civilization through the knowledge imbibed of right and
wrong.
The next two figures with
shields:
- Left -- The settlement of disputes between
states through enlightened judgment.
- Right – Maritime and other large functions
of the Supreme Court in protection of the United States.
The last figures:
- Left -- Study and pondering of judgments.
- Right -- A tribute to the fundamental and
supreme character of this Court.
- Finale -- The fable of the "Tortoise and
the Hare.” [The tortoise is on the viewers' right, the hare
on the left.]
The two lawgivers, Confucius and Solon,
are not facing Moses in the middle. All three lawgivers
are depicted facing forward in full frontal views.
However, the allegorical figures who flank the three lawgivers
are indeed facing towards the middle, but they are looking in
the direction of all three men, not just toward Moses.
MacNeil Virtual Gallery
Lawgivers
Confucius, Moses, and Solon (left to right)
(pegs prevent pigeons from roosting)
The Fable of the “Tortoise and the Hare”
MacNeil Virtual Gallery
Hare
on the left (south corner) ~ Tortoise on the right (north
corner)
At the corners of the East Pediment of the U.S.
Supreme Court Building, Hermon MacNeil placed the figures of a
tortoise and a hare as "bookends." These two marble
carvings, the smallest pair of groupings in his work “Justice
- The Guardian of Liberty,” are nearly hidden.
The Brooklyn Daily Star
(his local newspaper) suggests that the tortoise is ". .
. illustrative of the tortuous mazes of the law."
In addition to the . . . twelve-foot
figures of the great lawgivers . . . sculptor
[MacNeil] is completing the decoration with symbolical figures
and design.
In this connection, the design will
include the figures of the tortoise and the hare.
Whether the august Justices of the Supreme Court will fancy
the allusion to the law as a solemn, plodding tortoise, cannot
be known. But, it must be remembered, the tortoise did
reach the goal eventually. (February 27, 1933)
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Bibliography